Twenty-year
old Kimberly Kane was introduced to adult films
at an early age. Her mother, cable access star and
adult film producer Lacey Lynn, often brought her
daughter on the set. Despite the fact that Kane
was brought up around men and women who were comfortable
with their sexuality, she says she was the most
insecure person on the face of the earth. That is,
until she started dancing. “I didn’t
plan to be a dancer, but my rent was due, and I
was not going to lose my apartment,” Kane
said. “Dancing gave me self-confidence I’d
never had before. It was rad.”
A blond, fresh-faced beauty, Kane is on a hot streak.
She’ll be on the cover of Hustler this December.
When we first spoke, she’d just auditioned
for Larry Flynt’s wife for the magazine’s
upcoming 30th Anniversary bash. “I nailed
it,” she said. Kane’s mother, unfortunately,
doesn’t approve of her daughter’s choices,
and they aren’t on speaking terms. “She
has insane double standards,” Kane the younger
says.
Solara Star is twenty-six. The message on her answering
machine ends with “....blessed be!”
so her wise, otherworldly presence and gothic beauty
isn’t a complete surprise. She’s been
in nine films, and her tough style of dress belies
her incense-scented, Tori Amos-soundtracked apartment
and her penchant for talking freely and intelligently
about energy, astrology, the full spectrum of beauty,
and the cycle of abusive relationships so prevalent
in women in the sex industry.
“Most of the women in the business have been
sexually abused at some point in their lives,”
Star said, adding that a lot of girls form relationships
with controlling men, and some get addicted to being
on stage because it’s a huge self-esteem boost,
and a big rush.
Star began dancing to make money when it seemed
there was no other way to pay her bills. She tried
having “normal” jobs and worked as an
office assistant for a while, but hated being treated
like a sex object. “A lot of people in power
discriminate,” she says, and though they did
it subtly, she says, “I’m very sensitive
to energy, so it was very real to me even though
it was between the lines for everyone else.”
She decided that if she was going to be treated
as a sex object every time she tried to make money,
she wanted to be in control of it. “That’s
what dancing has given me the power to do,”
she says. “I can be in a controlled environment
and I choose to be a sex object, so it doesn’t
offend me to be treated as one.”
Porn is a business that evokes extreme opinions
and emotional reactions, especially now during the
adult film industry’s voluntary moratorium
due to the HIV outbreak. Neither of the Portland-based
rising stars fit the stereotypes of porn actresses.
Both were candid about possible positive changes
in the business as a result of the recent tragic
outbreak of HIV, about their first time on the set,
about the open secrets and little known facts of
the trade, and their plans as crusaders.
Kimberly Kane’s first experience on an L.A.
set was a good one. She’d
gone to watch a friend do a scene, but was surprised
by what she found. “It was so comfortable
and so cool. The people were so nice,” Kane
says.
The lead actress told Kane, “The only way
you can watch is if you take off your clothes.”
Though slightly embarrassed, Kane stripped to her
underwear. The director, Pat Myme, came over to
ask if she’d ever be interested in doing a
film. “I said yeah,” Kane says, laughing,
“And ‘yeah’ is the key word that
gets you into the porn business.”
Kane got tested, then did her first scene with the
gorgeous and well known actor Julian, who is Joe
Kelly’s ex-boyfriend. “When he walked
onto the set I thought, ‘I can’t believe
I’m getting paid to do this!’”
said Kane.
Girl/girl scenes pay $600, though the shooting can
take a couple hours or all day. Boy/girl scenes
are $800 to $900, and scenes require three positions
and a “pop.” “It’s very
mechanical,” Kane says, “Almost like
aerobics. You know what you’re supposed to
do, and it’s not about enjoyment. You’re
usually having sex on a rock, or on a table, and
you’re thinking about where the camera is,
and if your back’s arched.” Kane loves
her work, and says most of the people who are really
well-known are really cool. “If you’re
an asshole, you’re not going anywhere. No
one’s going to have you on the set a second
time if you’re a jerk because they don’t
have to. There are so many other people you can
use.”
When asked about embarrassing experiences, she laughed.
“One time I was working with performer of
the year Michael Stefano, and I had eaten McDonald’s
right before. I was giving the b.j. to start the
scene, and I barfed on Stefano!” Kane said
everyone is used to these things happening and was
totally cool about it. “It was just French
fries, but I was so embarrassed,” she said,
adding that she no longer eats before a scene.
Solara Star had a different experience on her first
scene, not because it wasn’t comfortable and
easy-going, but because she got pregnant. Before
coming to L.A. she had spent two months dancing
in Las Vegas, and had found a completely uninhibited
part of herself, which made doing a sex scene seem
like “the ultimate freedom.” Star had
recently broken up with her boyfriend of six years,
and through the pain, found that her “light
was shining brighter than it ever had.” Strangers
repeatedly came up to her to tell her how gorgeous
she was, how powerful she seemed, and that they
just felt drawn to her, to her energy.
Once in L.A., she learned that a lot of girls in
the industry didn’t really enjoy having sex.
“But I knew that I did,” she said, “And
that made it even more enjoyable because I knew
that the guys weren’t used to girls having
their own natural lubrication.” Star gets
pleasure from giving pleasure, and is happiest making
other people happy.
Her first shoot was by a pool at a mansion high
in the Hollywood hills, and she felt literally high
on the beauty of her surroundings, and she could
convey that energy on film, transmuting the somewhat
rough, aggro energy of her co-star, who was also
her agent. She got pregnant, and because she’d
been reading about women’s energy and sexuality,
she knew “the importance of studying energy
before bringing a child into the world,” she
said. “My mother was seriously crippled by
emotional problems, and I couldn’t bear the
thought of bringing to a child something that would
take its own life away.”
An unwanted pregnancy is perhaps a good way to speak
about the elephant in the room—the adult film
industry’s acceptance of unprotected sex and
the recent HIV tragedy. So far five actors have
been infected with the HIV virus, and though many
production companies agreed to a voluntary moratorium
until June 8th, a few claim that the industry is
perfectly safe.
In March, porn star Darren James filmed in Brazil
and came back to L.A. HIV positive. He’d slept
with twelve girls before realizing he was infected.
Four of those girls have since tested positive.
Those girls are “first generation.”
The guys who worked with those girls are “second
generation,” one of whom has tested positive.
The girls who’ve worked with those guys are
“third generation.” There was a list,
albeit incomplete, of these people that the talent
would examine before doing a scene, to make sure
they hadn’t been with anyone on it. Kane was
misinformed that she was third generation. “I
fucking lost it on the set,” she said, and
though there was nothing to worry about, it scared
her badly.
Kane went condom-only, and goes to all the talent
meetings and promotes condom use. “Everyone
in the world is educated to use condoms now. You
don’t meet someone and decide to have sex
without using a condom—that’s not what
happens anymore. But we, who are more sexually active
than everybody in this world, don’t use condoms.
I mean, we’re tested regularly, but even whores
use condoms! You can’t go to a whorehouse
and get a blowjob without a condom.” She says
that if the leading men in the business went condom
only, it wouldn’t matter how many girls came
and went. The average life of a “porn chick”
is 3-6 months, though that could change if Kane
gets what she wants: a union for the adult industry.
She wants health insurance, overtime pay, and protection
for herself and those who are risking their health
for other people’s enjoyment and financial
gain.
Star also has plans to better the work environment
for porn actors, and is collaborating with G-Spot’s
Sheena to start an internet-based production company
in Portland. They want to start with girl/girl scenes
done in the classic style. Most of the production
companies are run by men, accounting for the rough,
hard-core component of their films. She also plans
to give her actors royalties. “The girls aren’t
getting the money they’re worth,” she
said. “And a lot of dancers in Portland don’t
realize that they deserve to be respected for the
women they are, not maligned for what they’re
doing with their bodies,” she said. “They
should actually be respected for what they are doing
with their bodies.”
Kane says she’s never had a problem with disrespect.
“If someone knows me, they know I’m
safe and comfortable with what I do, and that I’m
a good person. I’m a mellow chick, dude,”
she says, laughing. “I stay home, cook dinner,
watch TV and go to work.” And porn, she said,
is just like any other job. “If you were around
it for one day, not only would you feel comfortable
seeing people naked, and seeing them in the act,
but you wouldn’t even care. You’d be
like, ‘Yawn, I’m going to go see what’s
in catering.’”
No matter your stance on porn, what it comes down
to for both these girls is something few people
can claim: They love their jobs. “I love dancing.
I love getting on stage and I love being naked,”
Kane said.
Star, who is writing a book of poetry, making a
CD with her band Furious Angels, working on a 20-act
circus-erotique show, and writing a book, Passageways,
about emotions and relationships, agrees with Kane’s
assessment. “There’s nothing more free
than dancing naked, working as my own boss, and
making my own schedule.”